Wan 3.0 Prime
Up to 5x faster iteration of Wan 3.0. Text to video up to 30 seconds, with native audio.
alibaba/wan3.0-video-prime/text-to-video
Examples
representative generations · starting points to seed the playground
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A striking top-down aerial editorial film, 16:9, recreating this exact scene and art direction: a bird's-eye view looking straight down onto a dense crowd of people on pale grey concrete, dressed in an eclectic mix of muted autumnal tones and pops of colour (rust, teal, pink, mustard, burgundy, denim, green). Three chefs in crisp white uniforms and tall white toques each carry an elaborate tiered cake through the crowd — one pink, one pale blue, one cream. Preserve exactly: the overhead top-down perspective, the pale concrete ground, the varied colourful wardrobe of the crowd, the three cake-carrying chefs, soft flat daylight and muted film-grain palette (Andreas Gursky / editorial aerial). The scene comes alive: the crowd walks and mills in different directions casting soft moving shadows; the three chefs weave slowly and carefully through the throng, balancing their cakes level; hair and coats sway. Dynamic but smooth camera in ONE continuous move — the high overhead camera drifts and slowly rotates far above the crowd, easing down a touch, always looking straight down. Photographic, grounded, grainy; NO morphing, NO cuts, keep everyone's clothing and the three cakes consistent. Native sound: the layered murmur and chatter of a large crowd, shuffling footsteps on concrete, a soft open ambience.
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A high-fashion editorial advertising film, 16:9, recreating this exact scene and art direction with several elegant, deliberately composed shots (clean, unhurried cuts between distinct well-framed setups — never rapid, chaotic or glitchy). THE SCENE, preserved exactly in every shot: a woman with dark hair pulled back stands barefoot and composed atop a round table draped to the floor in soft cream-ivory linen, wearing a sharply tailored cobalt-blue three-button trouser suit, against a full backdrop of floor-to-ceiling pleated ice-blue curtains; a pair of navy court heels rests on the pale wood floor beside the table. Keep the exact cobalt suit, ice-blue curtain, ivory draped tablecloth, light wood floor, soft even daylight, muted film-grain palette and calm, poised deadpan mood (Tim Walker / Zhong Lin editorial). She stays elegant and still like a model — no dancing — with only subtle life: a calm confident gaze, a slow blink, a small turn of the head, loose hairs stirring, the curtains rippling gently, the linen folds shifting. Shot sequence, each a smooth cinematic camera move: 1) a wide establishing shot of the whole scene, slow push-in; 2) a slow crane that tilts up from the navy heels and the pooled ivory linen to reveal her standing tall; 3) a medium shot gliding across the tailoring of the cobalt suit — lapel, buttons, hands; 4) a close-up on her serene face as she slowly blinks and turns her gaze to the lens; 5) a soft detail shot of the ice-blue curtains breathing and the ivory fabric; 6) a final elegant slow orbit that settles on the full composition. Smooth gimbal and crane moves throughout, shallow depth, believable cloth physics; photographic, grounded, grainy; NO morphing, no warping, no change to wardrobe, props or composition between shots. Music: an elegant, modern fashion-film score — refined strings and soft piano with a subtle understated pulse, sophisticated and cinematic.